The Manchester Review
Steven Millhauser
The Slap
Fiction
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A MULTITUDE OF SLAPS. Although we had read about the three slaps — the ones delivered to the faces of Robert Sutliff, Charles Kraus, and Raymond Sorensen — we knew that the total number of slaps was far greater than those reported in the paper. The three slaps were the visible slaps, the public slaps, the ones that entered the police record and the pages of the Daily Observer. But alongside those slaps there existed a multitude of invisible slaps, of subterranean slaps, which took place solely in our minds. The other slaps struck, over and over again, the faces of Robert Sutliff, Charles Kraus, and Raymond Sorensen, and they struck our own faces as well. We imagined the hand rising, the arm swinging, the palm striking the flesh of a cheek. We heard the peculiar sound of a slap, the crisp soft-hardness of it, like that of a whip. We thought of wood snapping, of ice cracking. We thought of TV footage of distant wars, the sharp clap of gunfire in the night. As we walked along the aisles of a clothing shop in the mall, as we sat at a booth in a coffee shop in town, we heard a rustling of slaps all about us. In our beds at night we heard them, obscured by the passing cars, a distant radio, the roll of trucks on the thruway: the other slaps of our town, a whole chorus of them, rising up out of the quiet like fire crackling in the dark.


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