The Manchester Review
Steven Millhauser
The Slap
Fiction
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VICTIM. Even as we were growing accustomed to the word “victim” in relation to these incidents, we began to ask ourselves to what extent the word corresponded to our sense of what had actually taken place. No one doubted that something impermissible, even outrageous, had been done to all three men, but it was also true that the attacks had been carefully limited: no robbery had been committed, the stranger had inflicted no physical damage, and he had immediately walked away. Our town, it should be said, is a very safe place in which to live. We take pride in our safety and have no tolerance for crime. Nevertheless, we’re part of the world and are not spared our share of serious trouble: child molestation, felony assault, rape, even two murders in the last seven years. The crime represented by a slap in the face is at most a Class A misdemeanor. To speak of a “victim” might therefore seem to exaggerate the consequences of a deed that, for all its unpleasantness, amounts to very little in the scheme of things. Even so, it seemed to most of us that the suddenness of the attack, the strength of the slap, the apparent randomness, the anger and helplessness induced in the person receiving the slap, all suggested that those who were slapped were indeed victims, though of a strange variety that kept eluding our understanding.


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